Wednesday, 16 December 2009

POEM - 'Snowflakes On The Lagerstrasse'



SNOWFLAKES ON THE LAGERSTRASSE
AN IMPOSSIBLE BEAUTY MASKING SUFFERING.
IN ANOTHER TIME AND PLACE
THE SNOW COVERED TREES WOULD BECKON CHILDREN.
HERE THEY STAND IN FROZEN SOLITUDE.
THERE ARE NO FOOTPRINTS IN THE SNOW
NO ONE WANDERS HERE
NO CAROLS SHATTER THE SILENCE
NO LAUGHTER PENETRATES THE PREGNANT AIR.
DON'T WALK TOWARDS THE FIRE TO WARM YOURSELF
DON'T IMAGINE SANTA DESCENDING THE CHIMNEYS
THEY BELLOW ONLY THE ASHES OF THE DEAD
MIXING SICKLY WITH THE FALLING FLAKES.
A WINTER COAT IS A PORNOGRAPHIC DREAM
A TASTE OF FOOD AN OBSCENE LUXURY.
YOU'RE NOT BEING LED TO THE GROTTOS
DREAMS ARE NOW CREAKING TOMBS.
NO MERRY CHRISTMAS
AND INTO THE SHOWERS...

POEM - 'Capital'



A PRISONER ALONE
STARING AT THE SUN THROUGH BLEEDING EYES.
CRUCIFIED SUPERFICIALITY.
SEVERED TIES WITH THE OUTSIDE WORLD
COVERING HIS FACE WITH DIRT
OR IS IT THE ASHES OF THE DEAD?
LATER, COWERING AND HELPLESS
AN EMPTY VESSEL OF SOLITUDE
A MULTITUDE OF TWISTED NERVES.
HEARTBEAT QUICKENS
IT'S TOO LATE TO GET OFF THE RIDE.
HOLD ON TIGHT
DEEPER BREATHS
AND YOU START TO SMOULDER.
FEATURES BURN
THERE'S NO NOISE
JUST THE SMELL OF BRAISED FLESH.
ONE FINAL BURST
AND THE APPLAUSE STARTS UP IN THE GALLERY.

Thursday, 19 November 2009

POEM - 'Tinysmall Of The Sea'



I BUILT MYSELF A PIRATE SHIP
OUT OF FRIENDS JUST LIKE ME
A MILLION HAPPY MATCHSTICK BOYS
SETTING OUT ON THE SEA.
WE GLIDED OUT, THE MOON SHONE DOWN
THE WATERS RUNNING DEEP
ALL MY WORK HAD MADE ME TIRED
AND I SOON FELL ASLEEP.
I WOKE UP TO THE SOUND OF SHOUTS
COMING FROM THE BOAT
SOME FRIENDS HAD LEFT THEIR HULL SPACE
WE WERE NO LONGER AFLOAT!
I DRIFTED FOR A MILE OR TWO
A DOG WITHOUT A BONE
I LOOKED AROUND WITH SALTY EYES
AND SAW I WAS ALONE.
REAQUAINTED WITH PAST LUCK
AS I SPED ROUND THE BENDS
I LOOKED AROUND AND SAW THEM ALL
EVERY ONE OF MY FRIENDS.
WE SHOUTED TO EACH OTHER
WE HELD HANDS AND WE LAUGHED
WE PUT OUR HEADS TOGETHER
AND SOON WE FORMED A RAFT.
THEN WE QUICKLY CRAVED THE LAND
HAPPY SAILORS NO MORE
A STICK NEVER FELT SO RELIEVED
AS WHEN I TOUCHED THE SHORE!

POEM - 'The Ballad Of Tinysmall'



I'M THE MADE OF MATCHSTICKS BOY
JUST TRYING TO BE GOOD
IT'S DIFFICULT TO KNOW YOUR PLACE
WHEN YOU ARE MADE OF WOOD.
I SIT AND WATCH THE SUN COME UP
KISSING GOODBYE TO DARK
I TRY TO DANCE INTO THE LIGHT
BUT IT JUST HURTS MY BARK.
SOMETIMES I LAY DOWN IN THE SEA
IMAGINE I'M A BOAT
JUST SAILING DOWN THE AQUA PLAIN
I SHIMMER AND I FLOAT.
IN SUMMER, GARDENS BECKON ME
I CUDDLE BUTTERCUPS
SOMETIMES THE DOGS THEN BARK AT ME
THEN GROWL AND PICK ME UP.
IN WINTER, WHITE PAINTS ALL THE EARTH
ICE PALACES, ALL FROZE
THE CHILDREN MAKE A GRAND SNOWMAN
AND USE ME FOR ITS NOSE.
AS CHRISTMAS DRIFTS INTO MY VIEW
MY WORLD BECOMES A WHIRL
THE ONLY THING THAT'S ON MY LIST?
A MADE OF MATCHSTICKS GIRL.

Friday, 13 November 2009

POEM - 'Nightwatch'



THE COLD AIR HITS MY EQUALLY COLD STARE
WATCHING THE UGLY COUPLE WHO DON'T SEE ME THERE.
SHE BERATES HIM FOR SOME COMMENT ABOUT SOME FORGOTTEN PIN UP
HE FIRES BACK ABOUT HER SQUEAKY VOICE
GRATING A HALF DRUNK REMEMBRANCE.
SHE PLAYFULLY TAPS HIS ARM
HE WATCHES A PASSING TEEN BRUSH HAIR FROM HER FACE.
THE WOMAN SIGHS AND GOES BACK TO BERATING
THE MAN IS CHECKING HIS WATCH AND DOING HIS BEST TO LOOK OBLIVIOUS.

I'M ON HIM LIKE A SHOT
SLASHING HIS THROAT JUST TO WATCH HIS EXPRESSION CHANGE.
THE GIRL'S HANDS COME UP TO HER MOUTH
A SCREAMING PIGGY STAGGERING BACKWARDS.
SHE'S SOON MUTED BY MY SUDDEN MOVEMENT
HER HEAD LEAVES HER BODY AND I KICK IT AWAY.
NO MORE ARGUMENTS
NO MORE TRIVIA
JUST TWO BROKEN BODIES
UNDER A CANVAS READING 'LOVE=WAR'
DAUBED IN THEIR AWIFTLY COOLING BLOOD.
I FEEL MUCH BETTER.

A SHOT, A BEER, A CIGARETTE, REAPPLY LIPSTICK AND THEN HOME.
A DREAMLESS SLEEP.

POEM - 'No'



FRAGILITY THROUGH STERILITY
DON'T COUGH ON THE BABY
YOU'LL PASS ON YOUR GERMS
GERMS FROM THE STREETS
GERMS FROM THE FOIL.
GERMS FROM YOUR COLD TARRED HEART.
THE HANDS ON THE CLOCK MELT
TIME IS THE SHATTERED LUXURY OF YOUTH.
BUG POWDER DUST
YOUR BITCH MISTRESS ISN'T HUMAN
I CAN NEVER COMPETE WITH THE INJECTED PLEASURES
A CUCKOLDED WHORE IN VIRGINAL WHITE
WHILST THE OTHER FUCKS RED IN THE ORGIASTIC VIAL.
YOUR FINGERPRINTS ON THE NEEDLE
MY FINGERPRINTS ON THE TRIGGER.
SOMETIMES DEAD IS BETTER
NO POINT IN BEING HALF A PERSON.
THE HALF ON THE GROUND
THEN IN THE GROUND
AS YOU FLY ALONE, ABOVE, AS LOVE.

Friday, 30 October 2009

POEM - 'Bowling Pins'



WINDOWS ON THE WORLD
EGGS BENEDICT DOWN MY SHIRT
AND A SLIVER OF RED TAINTS MY STARCHED COLLAR.
A MAN WITH A CRIMSON MASK
WHISPERS 'I LOVE YOU'S
INTO A PHONE THAT'S ALREADY DEAD.
IT'S GETTING HARD TO SEE
ACRID SMOKE STEALS MY BREATH
I'M COUGHING HARD,
I'M COUGHING UP BLOOD.
AS THE HEAT INTENSIFIES
I CRAWL SLOWLY TO THE WINDOW.
OBJECTS DROPPING THROUGH THE SKY
LIKE CHARRED BOWLING PINS
HURTLING DOWN AN ENDLESS GULLEY.
NO NOISE
JUST A HOLLOW DIGNITY.
I CUT MY ARM ON THE GLASS AS IT SHATTERS
A FINAL SCARLET REMEMBRANCE.
BRITTLE AND BROKEN
WITH NO GOD TO PRAY TO
I SOFTLY SING RYAN ADAMS,
ECHOEING 'I'LL ALWAYS LOVE YOU NEW YORK'
AS THE FLAMES LICK ME.
ONE FINAL JOLT OF INTENSE PAIN
AS I STEP INTO THE BLUE.

POEM - 'Talking To Hank Williams About A Girl'



EVERYONE WANTS TO BE HANK
BUT NOONE WANTS TO DIE.
WE ALL WANT TO BE PETER PAN
BUT NONE OF US CAN FLY.
I WANT TO BE THE TIN MAN
BEREFT OF THIS BROKEN HEART.
FEELING LIKE A JIGSAW
WITH THE PICTURE TORN APART.
I WANT TO BE YOUR SAVIOUR
BUT NOT HANGING FROM A CROSS.
I WANT TO FEEL SOME FEELINGS
JUST A DIFFERENT ONE FROM LOSS.
SO WILLIAMS PLAYS FROM HEAVEN
WATCHING US ALL DOWN HERE.
HE STUDIES MY EMOTION
AS HE SIPS ANOTHER BEER.
"MY BOY, THE ANSWER'S SIMPLE
JUST LISTEN HARD TO THIS.
THE GIRL'S A MAZE OF DEAD ENDS
THE SOLUTION'S IN A KISS."

Thursday, 29 October 2009

POEM - 'Snow'



COLD BREEZE ON MY FACE
I REACH OUT TO SHIELD YOU.
YOU PLAYFULLY PROTEST
AS I PUSH YOU INTO THE SLUSH.
THE DEFINITIVE SNOW ANGEL.
BACK INSIDE FREED FROM THE ELEMENTS
YOU HOLD HOT CHOCOLATE LIKE A BABY
YOUR SMILE MELTS THE ICE
AND I'M ON FIRE IN YOUR PRESCENCE.
BEACH BOYS XMAS ALBUM
AND I'M NEVER MOVING FROM THE MISTLETOE.

POEM: 'Neon Heart'



TAKE THE UNCERTAINTY FROM MY HEART
I NEED TO BELIEVE IN YOU
I NEED TO BELIEVE IN US.
I CAN'T BREATHE WHEN IT'S NOT IN STEREO
MY HAND IS OUT
TAKE IT.
MY HEART STILL BEATING ERRATICALLY
IT'S ALL FOR YOU.
THE SUN SHINES OFF MY FACE
TEARS DRIED BY MEMORIES
SICKLY SWEET SCENES FROZEN IN TIME.
BRUSHING YOUR HAIR FROM YOUR FACE
KISSING YOUR FOREHEAD
FALLING INTO YOUR OCEAN OF EMOTION.
IF IT IS WRONG TO SAY THE WORDS
THEN MY TIME OF BEING RIGHT IS THROUGH.
I LOVE YOU.
THERE,
I LOVE YOU.

POEM - 'Three, Four, Infinity'



I TRY TO WRITE MY LOVE
YET INK CANNOT CARRY ROMANCE.
THE PEN CANNOT WRITE EMOTION
NOTHING I SAY CAN DESCRIBE THE FEELING.
TWO HEARTS INTERLOCKED
BECOMING ONE
NO LONGER SEPARATED BY GEOGRAPHY OR FATE.
HER EYES SPARKLE AND I CATCH MY BREATH
SUCH BEAUTY, SUCH MAGIC.
I REACH OVER, KISSING HER HUNGRILY
THE WORLD STOPS
THEN SPINS OFF ITS AXIS.
BREATHE, LOVER, BREATHE
EYES ARE CLOSED
AND I PRAY IF SHE DREAMS SHE DREAMS OF ME.
WHEN I LOOK AGAIN
HER GRACE IS GONE
HER FACE REMAINS IN MY MIND
BUT HER HUMAN FORM FLOATS BACK TO PEPPERLAND
WHERE REAL LIFE CUTS ME LIKE A KNIFE.
SAIL BACK BEAUTY,
SOLITUDE WEEPS.

Saturday, 8 August 2009

POEM - 'Inside Tower One (9/10)'



THE ENDLESS BEEP BEEP OF THE MACHINES
PUMPING THE BLOOD MONEY THROUGH THE SYSTEM.
LOOK UP FROM THE SCREENS FOR A SECOND AND IT’S ALL CHANGE
PHONE IN ONE HAND,
TYPING WITH THE OTHER
BEEP BEEP BEEP.
DRONES AROUND THE OFFICE
WATERCOOLER MOMENTS WITH NEWBIES YOU DON’T KNOW
DISCUSSING TV SHOWS YOU DON’T LIKE
ON CHANNELS YOU DON’T HAVE.
THE OASIS OF THE COFFEE MACHINE
THE CAFFIENE HIT TO KEEP YOU ROLLING ALONG
ESPRESSO IS THE NEW GOD
GOTTA KEEP GOING
GOTTA BREAK TARGETS
ONE MARKET OPENS
ONE MARKET CLOSES.
THE BUZZER GOES
DOWN TOOLS
POWER DOWN
MACS OFF
OUT INTO THE NIGHT
SAME OLD SAME OLD.
HOME TO MICROWAVE FOOD AND HAPPY DAYS.
THERE MUST BE MORE THAN THIS.
MAYBE TOMORROW.
MAYBE TOMORROW I’LL QUIT.

Sunday, 2 August 2009

POEM - 'September 10th'



TWO MAJESTIC TOWERS
LIKE A PLUG CONNECTED TO THE SKY
MAINLINING THE CITY WITH ENERGY.
A SYMBOL OF THE INDESTRUCIBILITY OF MAN
THE POWER WITHIN
THE POWER TO CREATE.
PEOPLE LIKE ANTS SPEED PAST EACH OTHER
LOADED WITH PAPERS AND STARBUCKS
HITTING THE LIFT
EYES TO THE FLOOR
SITTING IN THEIR CHICKEN COOPS.
THE CLICK CLICK CLICK OF THE KEYS
CREATING REVENUE THE ANTS WILL NEVER SEE.
A BELL SOUNDS AND IT’S OUT INTO THE SEPTEMBER AIR
NOT TURNING BACK TO ACKNOWLEDGE THE MAJESTY OF THE BUILDINGS OR FELLOW WORKERS.
MIND IS ALREADY ON OTHER THINGS.
DINNER RESERVATIONS AT EIGHT
GOTTA PICK UP THE KIDS
GOTTA COOK THE HUSBAND DINNER BEFORE HIS ‘IMPORTANT MEETING’
GOTTA DRINK THAT BOTTLE OF WINE AND WATCH FOX TILL IT BEGINS TO BLUR AND IT’S TIME FOR BED.
TOMORROW AS THEY SAY IS ANOTHER DAY..

Wednesday, 29 July 2009

FICTION - 'The Gun Experiment'



It was completely by accident that The Gun Experiment began. Before that initial therapy session, he had never even thought about trying to get hold of a weapon, it was only when the therapist asked slowly “Have you tried to buy a gun?” that he thought about trying to buy a gun.

Of course, the idea did not arrive fully formed, far from it. He merely met his compadres for drinks in the evening and having won five games of pool straight and the bourbon beginning to make his head spin nicely, David asked him how his session went. David was the only one who knew this side of him, the only one that would understand some of the stuff that had been going on recently. The only one he talked straight to. “She asked me if I’d thought about buying a gun!” David squinted as Springsteen echoed loudly around the crowded bar. “She asked you if you wanted some gum?”, he had completely misheard and the session suddenly seemed more ridiculous. He high-fived his friend, shouted to the rest and made his way out into the New York night, the bustle calming him as the neon speeded past like memories illuminated, then mutilated by the driving rain.

Arriving home, the flat was as quiet as death, only the cat briefly stretching and then flaying out again showed any sign of life. “Hey buddy. Shall we?” He went to the fridge, put the food down for Oscar, grabbed himself a beer and looked out at the city, miserable and cold, like an open casket. After the fifth beer, the buzz began to kick in and the idea sprang into his mind to test the idea. Naturally the Internet was the first place to start, come on judging by the one thousand spam messages he received a day, you could get anything you wanted on the Internet, from a Russian bride to instant happiness, for half the price! One day only! You’re the instant winner! Click here! Click now! One time! Countdown is running out!

Ignoring the marriage offers from women he didn’t know, who it seemed had CC’ed ten other fellas in case their pleas fell on dead ears (Is that how relationships work these days? No wonder he was still single), he hit the auction sites, surely as good a place to start as any. Now what? Do you type in a particular make, he only knew about the ones Dirty Harry used and at that moment even their names escaped him. At that point he considered giving up and switching on ‘The Dead Pool’ for the hundredth time, but the neon flicker brought him back to reality and he simply entered ‘GUN’ and hit the enter key.

You have found 11,235 items.

These items ranged from toy cap guns, to Guns N Roses bootlegs to old western VHSs that no one had ever bothered to watch. Maybe this was a pointless exercise. Then the real thing began to appear on the screen. ‘THIS IS NOT A TOY OR REPLICA. KEEP OUT OF REACH OF CHILDREN’. A colourful parade of pistols was right there, one click away, everything must go. Of course, they had been ‘made safe’ and were merely for ‘ornamental purposes’ (presumably to hang over the pool table in the lounge, or in his case the signed Jonah Hill ‘Superbad’ poster in the lounge). But there they were. Wow, the modern world, right there.

By now, the beer and bourbon was kicking in and he had found a second wind and a new sense of urgency. Sure he could have a gun in three days through the magic of express delivery, but could he get one right here right now? Tonight? Now? Oscar looked up at his owner as if he understood the madness spinning through his head and then went back to licking his paws as the door closed.

He made his way down to Archies, the darkest pub he knew in all senses of the word. Basically whatever you wanted, people said you could get it in Archies. But first you had to become a regular. It wasn’t the most welcoming place if you were just stepping off the street and going there after a hard day battling the stock market was probably the stupidest idea any of those city boys could ever have. He had been welcomed into the bosom of the beast, due to his extended sessions in there for the six months after his wife died. That fuzzy period where sleep and reality become one, the world flickers in black and white and your brain doesn’t know who, where or why it is. One night he just stumbled into Archies, half hoping that someone would take out their frustrations on him, save him the trouble. Instead, the locals nodded their heads as he played The Byrds and The Flying Burrito Brothers and by the end of the first week they were clapping and whooping as he and the bargirl were dancing on the pool tables to mariachi tunes.

Tonight it was all the regular faces. He imagined that they all had two completely different lives and the guy he knew as Jeff, the one with the impressive Harley, was probably really a Vince, married with two point four children and a new puppy. Randall was probably really a Steve, hen pecked 22 hours a day aside from the two when he gets to slide out to Archies and tell all about his ‘bitches’.
He took his regular seat, caught the eye of the bar guy and soon had his usual Bud and Jack combination lined up and ready to go. The jukebox was playing some old Mariachi tunes and it seemed like we were already hitting the dancing or fighting hour. “Hey buddy! Come on! Mariachi!” – old Rodger was spinning in his wheelchair and shouting “HEY!” in all the wrong places, seemingly having the time of his life. If Rodger who had lived through Nam and cancer could still find a smile and a dance, then why couldn’t he? He didn’t focus on this for long, enjoying the caressing sting of the bourbon and the coolness of the beer as he signalled to Randall and the old timer made his way through the leathered and tattooed masses.
“Hey guy, what’s happening? Looking pretty beat up there, everything okay?” He merely nodded, this wasn’t a night for small talk, it was a night for action. “I need a gun, Randall.” There he had said it, it came out so easy, rolled off the tongue, what were they now, in a bad episode of Columbo? Before he could adjust to the ridiculousness of it all, Randall nodded. “Hundred. I’ll leave it in a shoe box for you outside” and he disappeared of into the crowd, giving Rodger a spin as he passed him. So was it really that easy? Of course not he thought, he imagined the moment he left the bar, a cacophony of noise would spring up as the bikers and beered up all shared a joke at his expense. Nothing to do now but forget about love, forget about life and just get bitchingly drunk. It didn’t prove too difficult – Mariachi leads to tequila, which leads to oblivion and god knows he had spent enough time there to know what it felt like. He left a twenty-dollar bill on the deck (he wasn’t being flash, it was just, well, he wasn’t gonna need it if Randall’s little gift was for real), nodded to the boys, got a final “HEY!” from the Vet and headed out into the darkness.

He looked around, suddenly it was like a comic book, the steam coming off the grates, the raised voices that you could hear coming from people you couldn’t see, any second he expected Batman to come swooping down. He was still thinking about this as he picked up the shoebox and hurried home without giving it a second look. All through the hurried walk, he imagined getting back to the apartment and tipping out a sodden pair of stinking old trainers onto the desk. He almost didn’t make it back to the apartment though, as his thoughts made him almost miss a taxi swinging down the street. The driver yelled something. He wasn’t sure of the language abut he was pretty sure it wasn’t an invitation to Sunday lunch. The rest of the walk was again lost in thought, a world he’d spent a lot of time in, certainly more time than he’d spent in the hideous repulsion of the real world. He closed the apartment door and Oscar stretched. A pretty enthusiastic welcome from the little fella but as soon as he tried to make a fuss of him, Oscar turned and walked away, just like people did. Just like people did.

He placed the shoebox on the table and for the first time in an age, he felt a flicker of excitement. Still expecting to see a decaying Nike, he opened Randall’s package and was greeted with exactly what he had ordered. Shiny, metallic, deadly. Of course, he still didn’t know what type it was, although he recognised it from some Steven Seagal movie he had watched once and just for a second, he wished he had a ponytail, looking like an all action hero, albeit it one in slacks and a jumper as he posed in front of the mirror. It felt good in his hands, cold but welcoming. He must have spent half an hour just shadow playing old movie scenes in front of the mirror; even Oscar came out to see what the hell was going on. Then he caught his eyes in the mirror. There was something there he had not seen for years: hunger. Desire. A reason. Feeling. He could feel his breath getting heavier as he flicked the CD player on and after a few seconds miming along to Dylan, it was in his mouth and with no last thought, the trigger was pulled and this whole hideous charade called life was over.

Bob sang Maggie’s Farm and Oscar began to carefully lick the blood off his paws.

Tuesday, 28 July 2009

CD - The Used 'Artwork'



The problem with The Used has always been that they have appeared as an also-ran band. With Bert’s relationship with Kelly Osbourne and his friendship with Gerard Way, he was always the guy just tagging along behind, the ADHD younger brother screaming to be noticed. This changed a lot with last album ‘Lies For The Liars’, where the band really began to find themselves and cemented a complete work that was both excellent musically and more importantly, not following trends or hanging onto anyone’s coat-tails.
Now with ‘Artwork’ (amazing cover, terrible title), it all seems to have clicked together and The Used find themselves no longer propping up the third stage in festival hell and instead springing out fighting with one of the best metal albums of the year so far. No ‘special friends’ or scandal necessary.
The album races out of the traps with the already familiar ‘Blood On My Hands’ (storming single, dark video) and already there are hooks a plenty and a colossal chorus. ‘Empty With You’ begins like a lost track from ‘Who’s Next’ and bounces along following the refrain “I haven’t lost anything except my mind”, surely the stencil on every Emo kid’s bag for next term…(Not a criticism, The Used’s lyrics this time round are not afraid to be open and add a humanity to the raucous sound that they accompany)
The highlight is the beautiful balladry of ‘Kissing You Goodbye’ (sensibly retitled from the too obvious media-baiting of ‘Cut Yourself’), it’s got Stadium Rock written all over it and lyrics which don’t so much touch a nerve as slam them against the wall bloody and broken. Wow.
Other highlights include ‘Watered Down’ with it’s storming drum track and ‘Meant To Die’ which sounds ready for bigger mosh pits than the band has ever been used to before.
Basically The Used are finally ready for the big time, but is the big time ready for The Used? On this evidence, we’d say they soon will be.

Tuesday, 21 July 2009

POEM - 'Twenty Five Twelve'



AND DEL BOY FALLS THROUGH THE BAR
THEN EVERYONE LAUGHS.
THE SHERRY GLASSES ARE SLOWLY RAISED
AND SOMEONE DECREES THAT IT GETS FUNNIER EVERY TIME.
ONE OF THOSE UNCLES YOU PICK UP THROUGH CHILDHOOD
NO REAL RELATION
AN OLD DRINKING PARTNER OF THE OLDS
THAT YOU’RE SUPPOSED TO RESPECT
EVEN WHEN THEY CRASH AT YOUR HOUSE
AND GET OUT OF THEIR HEADS ON ADVOCAAT.
PEOPLE WHO DON’T GIVE A FUCK ABOUT THE QUEEN
MAKE YOU HUSH UP DURING HER SPEECH
START SLURRING RULE BRITAINNIA
AND TALKING ABOUT PAST WARS THEY HAVE NO KNOWLEDGE OF.
‘YOU WANT TO HAVE MORE RESPECT, YOUNG MAN.’
YEAH AND YOU WANNA GIVE THE TENTH GIN A MISS ‘AUNTIE’.
WATCH THE CLOCK
DISAPPEAR TO THE SANCTUARY OF AN EMPTY ROOM
DRIFT OFF INTO UNCOMFORTABLE AFTERNOON SLEEP.
RETURN DOWNSTAIRS LATER
TO A COVEN OF WRINKLY DRUNKS
WATCHING THE HUNDRED BEST COMEDY MOMENTS.
AGAIN.
AGAIN.
THEY HUSH EVERYONE UP AS THE COUNTDON HITS NUMBER ONE.
AND DEL BOY FALLS THROUGH THE BAR
THEN EVERYONE LAUGHS.

Sunday, 12 July 2009

CD - 'The Duckworth Lewis Method'



There are just some things that you can’t imagine working. Despite a longtime love of the work of Neil Hannon, him creating an album based around cricket seemed like one of those mistakes – one imagined forced gags galore over a forced musical soundtrack. Boy, was I glad how wrong I was. Yes, it IS an album about cricket but it doesn’t hit you over the head with the concept and musically it is as strong as the best of Hannon’s past work, from the groove of ‘The Age Of Revolution’ to ‘The Sweet Spot’ which is the song that the solo Jarvis Cocker has been trying to write over his last two albums.

‘The Coin Toss’ opens the album in a very English fashion, evoking the best work of The Kinks in the sixties and this same spirit returns with ‘Jiggery Pokery’, which seems straight out of the Neil Innes songbook, which is a compliment indeed. The mood changes with ‘The Nightwatchman’, a lovely ballad that could have sat comfortably on ‘A Short Album About Love’ and it’s followed by the early Floyd kink of ‘Flatten The Hay’, again showing the variety on display here, the song itself about a childhood love of playing cricket during the school holidays, a straightfaced salute to youth, it’s another highpoint. By the next track ‘Test Match Special’, that innocent youngster has grown but his ultimate freedom still lies in the game, but now watching it on the TV replaces the field frolics.

Soon it is the end of the album, or in this case ‘The End Of The Over’ and you’ll be pressing play to instantly enter Hannon’s world again. The sun may not be shining outside and I don’t give a fuck about the Ashes, but you cant help but be charmed by The Duckworth Lewis Method, an album truly worthy of the Divine Comedy moniker, despite,er, not using it.

POEM - 'Grave Vultures'



THEY’RE SCANNING ALL THE MARBLE ROWS
LIKE THEY’RE OUT SHOPPING FOR BREAD
RATHER THAN TRAIPSING ON THE SACRED GROUND
ACROSS THE ASHES OF THE DEAD.
THEY COO AT BEAR SHAPED FLORAL GIFTS
SAY HOW TRAGIC IT IS
WHILST DISCUSSING WHAT THEY’LL HAVE FOR LUNCH
AND IGNORING THE KIDS.
“OH LOOK, HERE’S 1921!”
THE OLDEST ONE DECREES
THE YOUNGEST SCARED OF WHAT GOES ON
IS HIDING MONGST THE TREES.
THE ADULTS BREAK OPEN A FLASK
AND START TO SIP SOME TEA
HOW TIRING THIS ENDLESS TASK
OF GRAVE VULTURES MUST BE.

Thursday, 9 July 2009

POEM - 'No Panic'




STARE AT THE VIRGIN WHITE PAD
ITS BEAUTY SCARRED BY THE WORDS.
THE UGLINESS OF THE PROSE
A CATAFALQUE OF HOPE.
THE ‘INK’ RUNS RED
REPEATING THE PHRASE
REPULSED AT YOUR NAME
IT SWIRLS INTO INCOMPREHENSION.
THERE ARE QUOTES CLEVERER THAN THE AUTHOR
EMOTIONS STRONGER THAN THE MOST POTENT WINE.
HE CARVES HER NAME ONCE MORE
SEALS THE LETTER WITH A KISS
WITH A LAST BREATH
WITH LOVE.

Saturday, 4 July 2009

POEM - 'Shatter'



THINKING OF YOU
I BURST INTO COLOR
LIKE A CATHERINE WHEEL IN FULL FLIGHT
ILLUMINATING THE WINTER NIGHT.
YET YOU ARE ELSEWHERE
THE THOUGHT OF YOU AND ANOTHER
DRAINS MY VIEW TO BLACK AND WHITE
WITH NOTHING LEFT IN SIGHT
BUT SUFFERING AND BLADED MEMORIES
CUT DEEP INTO THE HISTORY OF MY HEART.
TRY TO FORGET IT ALL
BUT THE PICTURE REMAINS
A SEPIA IMAGE OF TWO IN LOVE
SOMEBOSY SHOT THE PEACEFUL DOVE
AND NOW THE PEACE IS SHATTERED
BY THE ONLY THING THAT MATTERED
(ME AND YOU)

Sunday, 28 June 2009

POEM - 'Worromot'



KEEP TREATING A MAN LIKE DIRT
AND HE WILL CRUMBLE TO DUST
KEEP QUESTIONING THE BOY
AND YOU’LL DILUTE AND CRUSH THE ANSWER.
LOOK AT HIM THE WRONG WAY
HE’LL TURN THE UGLINESS IN ON ITSELF
LOOK AT HIM AND SNEER
AND HE’LL CRUMBLE BEFORE YOUR VERY EYES.
IF HE FEELS LIKE NOTHING
WHY MAKE HIM NEGATIVE?
IF HE REACHES OUT FOR HELP
HE’S DROWNING NOT WAVING.
WHAT LITTLE LIGHT HE HAS IS SHADED
WHAT LITTLE HOPE HE HAD AS FADED
YOU SHRUG YOUR SHOULDERS CALL HIM JADED
WHY CANT THE BOY JUST CHEER UP?
DON’T BOTHER WITH THE FUNERAL
HYPOCRITICAL BOW OF THE HEAD
THE DIRT UNDER YOUR FINGERNAILS
WILL BE THE ASHES OF THE DEAD.

Saturday, 27 June 2009

Michael Jackson 1958-2009



The subject of the death of The King Of Pop seems to be being covered in a million different ways. You have the hardcore fans going to his home, you have the bloggers arguing about his worth and his place in the musical hierarchy and the usual ‘He was just bonkers’ comments. Basically the same mix of opinions that he brought out in people when he was alive.. Wow, just writing that sentence sounds odd –The King Of Pop is dead.

We will never see his like again. Not in terms of talent or albums etc, just that he came along at a certain time, before the internet changed everything, when single sales were still buoyant, when the chart was important. In the eighties the holy trinity of Jackson, Prince and Madonna ruled the pop world, they seemed indestructible and everything they did was important news. All three created controversy, all three were judged by the most conservative parts of society and all three produced some of the greatest pop songs ever.

The most affecting things I have read on the net in the last day or so are people’s personal memories, not arguing over which was the best album (My vote still goes with Bad) but remembering dancing around to Beat It, or trying to learn to moonwalk. It seems Jackson has a special place in the memories of a lot of people.

For me the mention of Jackson takes me straight back to EPCOT Center in Florida, me and my sister laughing and playing in the fountains randomly spitting water up into the air like liquid bullets. This was outside a movie theatre, a 3D movie theatre showing only one movie, Captain EO, a film that you literally could not watch anywhere else in the world. It starred Jackson, a variety of humorous characters and a terrifying space queen who would fly out of the screen and hover just in front of you. I can still hear her claws rattling together and remember closing my eyes on a number of occasions. Jackson was mesmerising in this film, larger than life, it was an absolutely magical experience. I spent the rest of my youth with my Captain EO poster proudly displayed on my wall.

I remember the week Bad came out, getting the cassette, sitting in the back of the car reporting to my parents on the brilliance of each track, one by one, as they blasted out of my personal stereo (nice big orange headphones) for the first time. I remember sitting in front of Top Of The Pops, the week they premiered Black Or White – not only an epic new Jackson video, but Macaulay Culkin too and some amazing effects, I sat there transfixed, how was he coming up with this stuff.

I remember when John Landis’ Thriller video was released on VHS and I rented it, all ready to enjoy some Jackson greatness, only to totally freak out the first time I saw his yellow eyes, flinging the tape out of the player and returning it instantly, replacing it with the less disturbing action of Landis’ The Blues Brothers.

And the odd stuff? Come on, if you had an unlimited pile of cash and someone said “Hey, do you wanna pet monkey to hang around with?”, would you really turn around and say “No, no, it’s terribly cruel?” or would you jump at the chance to have the little guy running around the place dressed in a variety of hilarious outfits? I don’t think it’s crazy, it’s just a fantasy that he had the opportunity to make come true. The same with Neverland. What a place! No one thinks twice if a superstar spends two million on crack for him and his posse, but when a man builds himself a theme park to enjoy away from the adoring hordes, he’s odd? Again, I don’t get it. News reports are even finding it odd that he had his own collection of collectable soft toys, man they are clutching at straws there, what he did was create a business model that every other pop idol has aspired to and repeated with lesser results since. Nobdy said KISS having their own dolls was strange, so why is a Jackson endorsed snake an oddity?

Michael Jackson will remain one of the most important figures in popular music. Was he as good as Elvis? As groundbreaking as The Beatles? The genres are different, the times are different, Jackson should not be compared to these other icons. It’s best you just press PLAY and listen to ‘Beat It’ for the millionth time and try for the millionth time to pull off that perfect Moonwalk whilst raising a glass to The King Of Pop. Just don't spill it.

Thursday, 18 June 2009

POEM - 'About A Girl'



WHEREVER IN THE WORLD YOU ARE I’M WITH YOU
IN YOUR HEART AND SOUL THOUGH MY BODY REMAINS IN SITU
LOOK TO THE SKY AND SEE ME THERE
MAKING YOU SPARKLE AND BRIGHTENING YOUR HAIR
DON’T FEEL ALONE CAUSE THERE’S ONE THING THAT’S TRUE
THE ONLY THING THAT MATTERS IN LIFE’S ME AND YOU.

Monday, 15 June 2009

CD - Jonas Brothers 'Lines, Vines & Trying Times'



You do sometimes have to wonder whether Nick, Kevin and Joe Jonas ever sleep. In the last year, we’ve had the 3D movie and subsequent soundtrack, the Jonas’ written Demi Lovato's record and the J.O.N.A.S. tv show – and work is underway on Camp Rock 2. This could of course mean that after the uber success of last album proper ‘A Little Bit Longer’, they might decide to rest on their laurels with fourth album proper, the brilliantly titled ‘Lines, Vines & Trying Times’. Not a bit of it.

If you’ve been following the exclusive Facebook webcasts you’ll know that the band has employed a string section for this record, giving it a much bigger sound as well as summoning the services of a massive female star who was kept a secret until the album’s release.

Album opener ‘World War III’ features great rock guitar and a screechingly attitude filled Nick vocal. It’s brilliant and leads into the album’s two singles, the on edge ‘Paranoid’ and the Peter Pan tribute, ‘Fly With Me’. Other highlights are the stomping ‘Poison Ivy’ featuring a chorus that wriggles around in your head like an epileptic worm and the beautiful ‘Black Keys’, which is essentially this album’s ‘When You Look Me In The Eyes’. Beautiful.

Already getting column inches, ‘Much Better’ is a great track that focuses on fame and the ups and downs that have come with it, pointedly focussing on relationships. ‘Now I’ve got some enemies, and they’re all friends suddenly, BBFs eternally I’m not bitter.’ Um, I think maybe you are Joe, even thought sonically it’s one of the most up tempo on the album the lyrics are cutting, even taking a direct swipe at Joe’s ex Taylor Swift with the lines ‘Now I’m done with superstars and all the tears on her guitar, I’m not bitter’. Man, I’d hate to hear him when he is bitter!

When 30 seconds of ‘Beyond The Storm’ were premiered on the webcasts, it sounded like a great Nick ballad, but was made more interesting when it was revealed there would be a special guest vocalist. Now obviously after ‘Much Better’, it seemed unlikely that Joe would be on his cell to Taylor Swift anytime soon, so the smart money was on Demi Lovato who was a touring partner and whose album the boys worked on. Then came the Jonas Brothers curve ball…’Beyond The Storm’ is actually a duet between Nick Jonas and ex-girlfriend Miley Cyrus, added extra pathos, emotion and power. Ouch.

No, it’s not all ballads, there’s the country tinged ‘What Did I Do To Your Heart’, which is apparently Kevin’s favourite track and wouldn’t be out of place on Taylor’s ‘Fearless’ ironically. Then there’s ‘Don’t Charge Me For The Crime’ – this is the track most likely to surprise people, at least those willing to open their minds and see Jonas as more than clean cut boys. It’s the story of Nick getting involved in a car chase after helping a friend who it turns out pulled off an armed robbery. It features guest rapping from Common and is a storming attitude filled track.

This is followed by the brittle and beautiful ‘Turn Right’ – strings, a heartfelt Nick performance (“You might fall off the track sometimes, but I’ll see you on the finish line”) and a definite tearjerker, which shows the variety on show, coming directly after the Common collaboration.

For the first time, Lines Vines & Trying Times sees a Jonas Brothers album coming out simultaneously worldwide and with the world tour already sold out (including a Wembley show that is currently seeing tickets on the net going for up to 200 pounds…) it can only see them getting bigger, if that’s possible. And they deserve every ounce of it, no matter what your soulless ill-informed friend flogging his ‘cooler’ bands may tell you. There’s a reason why they are the biggest band in the world and it isn’t the Disney dollar – put simply ‘Lines, Vines & Trying Times’ is a fucking brilliant pop record, unlikely to be rivalled this year.

Saturday, 6 June 2009

POEM - Girl 3/4



YOU HAVE WHAT I NEED TO BREATHE
A BEAUTY THAT THEN MAKES ME CATCH IT.
YOU HAVE A SMILE THAT LIGHTS UP THE DARK
A TOUCH THAT ELECTRIFIES EVERY SECOND.
YOU BRUSH YOUR HAIR ASIDE WHEN TALKING
AND I AM SPELLBOUND AND TRY NOT TO STARE
BUT I WANT TO LOOK AT YOU FOREVER
WHEN THE WORLD ENDS I STILL WANT TO BE LOOKING AT YOUR EYES
A MAGICAL HEARTBEAT
CREATED BY A MAGICAL GIRL
WHO I LOVE WITH ALL MY HEART.

Thursday, 4 June 2009

DOCUMENTARY: A World Of Pain



It’s not often that the BBC would give an hour of prime time to the dark subject of self harm, but thanks to Meera Syal, the documentary ‘A World Of Pain’ did just that. Whilst obviously the actress was instrumental in getting the programme made, she was also the weakest link for reasons we will discuss.

Firstly Syal has no direct link with self harm. She has never done it, her kids don’t do it, her friends don’t do it, nothing. The onlyreason she knows anything about it is that she researched it for one of her books. Now that’s not to say she cant form a valid opinion and co,e up with good points, but instead she decided (though whether she realised she was doing it is debatable) to patronise at every opportunity, sometimes even coming across as offensive. After hearing the harrowing story of one sufferer, all she follows up with is telling the story of when she was at school and noone did it. Then going back to her old university, “Look at me! Look at me!”, get back to the subject in hand, Meera for goodness sake.

Her shock at seeing pictures of wounds on youtube is ruined when she stupidly proclaims “She’s written on her arm in blood!” – NO, she has bladed the letters into her arm and the blood has risen through the wounds spelling out the words ‘I’m Fine’. Those are two very different things. She also falls into the trap of dismissing famous people who self harm as if their pain is less – showing Blake Fielder-Civil’s marks and Amy Winehouse’s lacerations, she exclaims that people are more open such as “Amy Winehouse’s apparent self harm” APPARENT? How much more real do you want it to be?

Basically she seems to treat those in the film in a very patronising fashion, the surprise at how one explains her action being impressive “For one so young” and being surprised that one girl goes to a group meeting ‘that even includes a few boys’. Stop the press, men do it too, which she could have researched more if she hadn’t spent a great deal of time bleating on about the Asian community, changing the whole focus and flow of the documentary. What was more annoying was her questioning all the studies that have been done into it, because she didn’t do it and her friends don’t, so how can the figures be true? That helps noone, does it? She should be celebrating that the research is being done.

Oh well, they did wait 35 minutes before playing The Smiths and didn’t at any point blame Marilyn Manson or Slipknot which made a nice change…

Saturday, 30 May 2009

POEM - The Witch Doctor & The Monkey Puzzle



THE WITCH DOCTOR STARED AT THE MONKEY PUZZLE
EACH INTRICATE PIECE CAUSING CONFUSION.
WHERE WAS THE STRONG SOUL HE KNEW BEFORE?
WHERE WAS THE PHYSIQUE HE RECOGNISED?
THIS WAS NOT THE SAME MONKEY PUZZLE,
THIS WAS A BREATHING CORPSE
A FRAGILE GHOST LOOKING FOR AN EXORCISM.
A PALE IMITATION OF A ONCE GREAT LIFE,
REDUCED TO A HUSK STUFFED WITH WIRES
BLEEP BLEEP BLEEP
A REGIMENTAL SIGH.
PINK BLUSHING SKIN NOW DUSTY
A DEATHLY WHITENESS
LIKE SNOW WITHOUT THE MAGIC
A SOURED MILK RANKLY STINKING.
IT’S AN EMPTY PLOT LOOKING FOR A TOMBSTONE.
THE LIGHT GOES OUT
THE ROOM IS EMPTY
YET THE SHELL IS STILL THERE.
EMPTY, COLD, LIFELESS – AND THAT IS JUST THOSE LEFT BEHIND.

Tuesday, 26 May 2009

POEM - Asleep



TIRED MAN TURNS UP HIS COLLAR
LOOKS OUT ONTO THE LONELY ROAD
WATCHES THE NEON REFLECTION DANCE IN THE RAIN
AN H2O SYMPHONY FROM HEAVEN ONTO HELL.
RUSTY AND OLD
A BUS SPEEDS PAST
GERIATRIC RAISES HIS STICK AND YELLS EMPTY THREATS AT THE SOON GONE DRIVER
LOOKING RUSTIER AND OLDER THAN THE VEHICLE EVER COULD.
TIRED MAN TRIES TO LIGHT A CIGARETTE
HUNCHED INTO A DOORWAY
HAND OVER THE LUCKY STRIKE TO CHASE THE WIND AWAY.
NO GOOD
HE TOSSES IT INTO THE AIR
SPITS WITH DISTAIN WHERE IT LANDS AT HIS FEET
SWEARS QUIETLY UNDER HIS BREATH
CURSING, CURSING.
CHECKS HIS WATCH
IT’S TOO EARLY TO SLEEP BUT TOO LATE TO START AGAIN
A FINAL SIGH AND HE WALKS INTO THE PATH OF A SPEEDING CAR.
METAL AGAINST SKIN
A MAUDLIN MELDING OF MAN AND MACHINE.
A FINAL LOOK UP
A FINAL BREATHE
AND THE NEON TURNS TO SEPIA
AND THE CLOCKS FINALLY STOP.

Monday, 25 May 2009

CD - Kasabian 'West Ryder Pauper Lunatic Asylum'



I always used to hate Kasabian. At least I thought I did, I guess what I really hated was the image and the fans, both of which were too ‘man on the street’ for my liking. Oh and there’s also the fact that a lot of their work sounded like Xeroxed early Mansun b-sides, but without the intelligence.

Yet now, three albums in, it seems that the band are attempting to stretch out and grow, whilst occasionally falling back in to the ‘Poor man’s Oasis’ category that they also have had pretty much sewn up for the last few years. Opener ‘Underdog’ is a stormer, kicking in like a sledgehammer, it struts around like it owns the place and it seems the band are reaching higher than before. This soon crashes terribly with the Oasis-by-numbers of ‘Where Did All The Love Go?’ which contains lyrics that even Noel G would consider a little simplistic. The album soon picks back up though with the triple punch of ‘Swarfiga’, ‘Fast Fuse’ and ‘Take Aim’ all impressing. Then, it all goes a little bonkers (and not in a fucking Dizzee Rascal way).

‘Thick As Thieves’ sounds as if it belongs on an early Libertines session, all perfect booze-fuelled 60’s pop, brilliant. Suddenly it seems like you have no idea what’s coming next, but always pleasantly surprised. ‘West Rider Silver Bullet’ starts with an odd Ennio Morricone vibe, before turning into a big emotional epic, all big sounds and strange sound effects. Again, brilliant.

By now the memory of ‘Where…?’ has been forgotten and the album is all over the place but constantly hitting the target, whatever the target may be! So yeah, there’s probably still enough straight ahead stuff to keep the man on the street happy but now there’s a little more depth and adventure for those looking for something with a little more bite. Part of it sounds like the 60s, part of it sounds like the future. Worth checking out for sure. Just dont take fashion tips from them.

Tuesday, 19 May 2009

POEM - 'One'



IT WAS A LOST CAUSE
AND OF COURSE WE LOST.
TRUSTING OUR LIFE TO THE CHANCE WE NEVER HAD
WATCHING THE FACE TO SEE WHAT OUR NEXT MOVE WOULD BE.
NEVER BACKING AWAY
TROUBLE A SINGLE THROW AWAY
VIOLENCE, TWO, TOO CLOSE TO MENTION.
WE WERE UNDER THE POWER OF FATE
TOO LATE TO BACK OUT
WHATEVER IT PUT ON OUR PLATE
WHATEVER THE STAKES
WHATEVER IT TAKES.
THROUGH IT ALL
WE NEVER FALL,
NOT ONCE DOES THE TWIST COME
NOT ONCE MUST OUR FISTS COME INTO PLAY
EVERY DAY ANOTHER CHANCE
THE DANCE OF THE RANDOM
BUT ONE STANDS TALL
AND ALL IS CALM
NO HARM IS DONE
BUT FUN?
PERHAPS NOT
BUT IT’S ALL WE’D GOT.

Monday, 18 May 2009

POEM - 'The Rotten Tired Appearance Of The Heart'



BRUTAL, HATE ALL, FOETAL,
SPEAKING A LANGUAGE NOT YET TRANSLATED, NOT YET CREATED,
A SHARD OF DARKNESS IN THE LIGHT,
A PANE OF GLASS AT PAINS WITH ITSELF.
FORESAKEN AND SHAKEN UP,
A FAKE HOPE FOR THE HOPELESS,
A SHALLOW TEAR IN THE FABRIC.
A NOD THAT BECOMES A PUNCH,
THE FOUL STENCH OF THE FALLEN,
LIE DOWN AND BE COUNTED,
BE COUNTED OUT,
BRUISED AND BROKEN - BEAUTY BELIES THE BELIEVE OF THE BRAVE,
ENSLAVED INSIDE,
INSIDE THE TRUTH OF THE MIND,
NOT FAR BEHIND FROM THE END OF DAYS,
FROM THE PIERCED SCREAMING OF SOMEONE CLOSE WITH ANOTHER.
SOAKING BLOOD THROUGH THE CURTAIN OF SKIN,
DRAPED OPEN AND EXPOSED,
ENCLOSED BENEATH THE FAÇADE,
HARD AND KNOWING AND BREATHLESS.
HOLD IT IN,
TAKE A SHOT,
STOMACH REBELS,
PILLS RETURN,
LIFE FLOODS THE RESERVOIR OF DISSENT
AND JUMPS THROUGH HOOPS OF MELANCHOLY,
CHOKING THE LIFE FROM THE UNDEAD,
SAYING THANKYOU TO THE TORTURER,
TAKE A NUMBER AND STAND YOUR GROUND
AS YOU’RE BURIED BENEATH IT
AS YOU STAMMER SILENCED IN THE COCOON OF CACOPHONY,
THE MUTED MENACE OF MANY,
THROWN TO THE LIONS
TO THE LIARS,
TO THE FIRES RAGING INSIDE NOW DAMPENED BY THE DAY,
TAUNTED BY THE NIGHT,
THE EDGE PUSHED OUT TO THE MIDDLE
TO THE CENTRE OF THE HURTING MASSES,
SAY THANKYOU AGAIN FOR THE CHANCE THAT NEVER CAME
THE CLIMAX AT THE START,
THE ROTTEN TIRED APPEARANCE OF THE HEART.

POEM - 'Rebirth'



STEPPING COLDLY FROM THE ABYSS,
LOOKING DOWN AT MY BLOODIED HANDS,
CALLOUS AND CUT,
SANGUINE FROM THE STRUGGLE.
I’D SCREAM BUT THERE’S NOONE TO SCREAM TO,
I’D CRY BUT THE TEARS WONT LEAVE MY FROZEN EYES.
LOOK IN VAIN AT MY VEINS,
LOST THROUGH THE HORROR,
LOOK UP AT THE RAIN
WISHING I COULD FEEL ALIVE
OR FEEL AFRAID.

Sunday, 17 May 2009

POEM - 'Die Beautiful'



REACH FOR THE RAZOR OR THE PEN?
GRAB THE DIE TO AVOID THE CHOICE,
THROW A SIX AND THE BIRO’S VICTORIOUS
A THREE MEANS THE GAME IS CUT SHORT
AND THE CUT IS PROLONGED.
DON’T CLOSE YOUR EYES AND TRY TO CHEAT THE IVORY
IT LANDS WITH A CRASH ON THE OAKEN SURFACE,
THE TRIO OF DOTS TAUNTING YOU AS IT COMES TO REST.
NO NEW TOMES WILL GET WRITTEN TONIGHT,
LEST THE COLLECTOR COMES AND SKINS ME ALIVE
SELLING MY LATEST SHORT IN ITS ORIGINAL PRESSING,
WHICH MAY LACK BEAUTY ON THE SHELF
- BUT BEAUTY FOLDS TO UGLINESS, INTO ITSELF.

POEM - 'The Body's Decay'



SLAVERY/BEAUTY
THE MASQUERADE AND THE MASSACRE.
FEELING NUMB IS STILL FEELING
FILLING THE VOID CREATES EMPTINESS.
CURLED TIGHT BUT NOT SAFE,
THE SUNLIGHT BURNS AS THE TWILIGHT SOOTHES.
THE NIGHTMARE GIVES WAY TO THE NEW DAY.
THE ANXIETY WAKES WITH THE BODY’S DELAY.
WITH THE BODY’S DECAY.

CD: Eminem - 'Relapse'



For the first two albums, Eminem was pretty much untouchable, the right mixture of bitterness, humour, horror, vendettas and goofing around. As time went on though, the schtick became watered down and many of us who loved Slim Shady moved on, probably into the world of L’il Wayne who has been lighting up the rap world as Eminem’s light appeared to be going on.

Well, never underestimate Marshall Mathers, seems to be the lesson here. Freshly sober and clean and back on the scene, you might imagine the worst kind of therapeutic garbage available, but this Shady is just as potent as the booze loving original. There’s no running away from the issue of Eminem’s recent troubles as the opening skit ‘Dr West’ faces it head-on before we are slammed into the hard hitting and disturbing ‘3am’. Think Marshall has calmed and matured? ‘My Mom’ would suggest he still has the same hang-ups as before, but he’s handling them in an even more brutal fashion – let’s just say he will be off his mom’s xmas card list again…

Nothing is sacred, who else would have a song that sees our narrator picking a fight with Christopher Reeve, who disses him via his voicebox? Or describe how he wanted to be a normal kid playing with Teddy Ruxpin whilst his stepfather wanted sexual favours? There’s a lighter side with the awesomely catchy ‘We Made You’ and ‘Old Times Sake’ featuring Dr Dre, but there’s a brilliant sense of menace throughout which leaves you unsure of where Eminem is going next. The only time this disappoints is with the tedious overplaying of ‘Beautiful’ which seems to have been imported from a completely different record. A rubbish one.

Aside from this blip though, this is a glorious return to form, far from a relapse, Eminem seems be here to cure the rap world of any ailments, whilst taking swipes at Lindsay Lohan, Hannah Montana, Ellen and anyone else who pops into his hyperactive brain. The real Slim Shady appears to have stood up, let’s hope he stays at the top of his game. Awesome.

10 Songs To Download This Week



1/ Paranoid - Jonas Brothers
2/ Medicine Ball - Eminem
3/ Marlon JD (Demo, Nicky Wire vocal) - Manic Street Preachers
4/ Little Girl - Julian Casablancas
5/ Untouched - The Veronicas
6/ NW5 - Madness
7/ Ski Jump Nose - Mansun
8/ One Armed Scissor - At The Drive-In
9/ London Girls - Duffy
10/ Fearless - Taylor Swift

CD: Dangermouse/Sparklehorse - 'Dark Night Of The Soul'



Here it is then, the best album you will not be buying this year! Not because it’s not good, it is, but the record company has thrown a little hissy fit and the copyright guys and executives aren’t happy and so, no dice. Still, you’ve got the Internet, right? In that case you can probably find yourself a copy of this before we’ve even finished writing this review. Don’t get us wrong, we are not condoning piracy, but if the album is never gonna be released then you’re not taking any money from The Man or The Artist and lets face it, this is a record that deserves to be heard.

Of course, it could be very different, albums of this kind can be destroyed by all kinds of hubris, the rock star ego being the main one, everyone wanting the biggest piece of the Superstar pie. Yet here, you just find a great song with a great singer following a great song with a great singer. We mean, an album that starts with a dreamy lullaby with Flaming Lips frontman Wayne Coyne on vocals and then gets better has to be worth a listen or ten, right? Especially when it leads into a Super Furry dreamscape featuring Gruff Rhys.

Want something a little more upbeat, then here comes Julian Casablancas, sporting the attitude and effortless cool that that rocketed his band to stardom. ‘Little Girl’ would have fitted in fine on ‘Is This It’ and that’s enough of a compliment for any man, Older legends, you say? Well, how about Black Francis, back to his old Pixies moniker on the raucous ‘Angels Harp’ and perennial guest star Iggy Pop with the blistering ‘Pain’.

Overall it’s a bunch of great songs by some great artists, how David Lynch’s visuals change things, we will find out when the book arrives (now bereft of a soundtrack!) but the record will do for now. Please Dangermouse, more of this and less of the cartoon buffoonery of Gnarls Barkley, you’re too good for that, even if the record company are more likely to release it…

Monday, 4 May 2009

10 Songs To Download This Week



1/ Facing Page: Top Left - Manic Street Preachers
2/ Wraithlike - Maximo Park
3/ London Is The Reason - Gallows
4/ Fuckingsong - Jarvis Cocker
5/ Hello, Goodbye - Jonas Brothers
6/ Nation Of Checkout Girls - The Enemy
7/ Heartburn - Marmalade Duke
8/ Shouldve Said No - Taylor Swift
9/ She's Expensive - The Virgins
10/ Know Your Enemy - Green Day

CD: Manic Street Preachers - Journal For Plague Lovers




The weight of this album is so much that it’s pretty much impossible to just look at it objectively, the same way you might look at, say, the third Maximo Park album, or the new Franz Ferdinand. From the beautiful but disturbing cover to the typeface, it screams ‘Holy Bible’ at you even if you have been living under a rock and don’t know the history (the irony of an album yet to be released having a history is not lost…).
Yes, Richey James Edwards is all over this record, which uses the last lyrics (poetry?) left by the rhythm guitarist before he said his goodbyes (or rather didn’t) in early 1995. It’s not the claustrophobic experience that The Holy Bible is though, but obviously its not a barrel of laughs either. Having said that it also doesn’t lose itself to seriousness with Richey’s cutting humour slicing through the literary and emotional references throughout. (‘We missed the sex revolution when we failed the physical’)
Okay, how do you start an album like Journal For Plague Lovers? Well, perfectly in fact, with a sample from the Christian Bale classic The Machinist – a role for which Bale lost an obscene amount of weight, a not so veiled reference to Edwards’ own battles and a nod to the anorexic images of the Bible. ‘Peeled Apples’ is a stroppy pop punk starter, with Edwards’ lyrics already spinning the listener and sending you scambling for both the volume control and the thesaurus. The band have not sounded this hungry in 15 years, certainly they threatened with Know Your Enemy, but this isn’t trying to regain past glories, it’s like the band has been frozen and come back stronger than ever. ‘The figure eight inside out is infinity’ seems to throw back to Richey’s obsession with the perfect circle and is just as intriguing/confusing.
After the opening punk trio, the first slowdown occurs, but just as ‘This Is Yesterday’ was no walk in the park, ‘This Joke Sport Severed’, from its title down is a confused agony, a return to the beauty/horror of ‘Too Cold Here’ or ‘Love Torn Us Under’ with talk of bone being torn from skin whilst strings soothe the savagery.
‘She Bathed Herself In A Bath Of Bleach’ is a title that nods to the In Utero period of Nirvana and it sounds like Cobain and company sonically too, a nod to Richey’s love of the record and also the fact that Steve Albini produced both albums.
‘Facing Page: Top Left’ is one of the loveliest tears to roll down the face of the Manics catalogue, despite reference to being weighed down and smiling and tinted UV protection. This is not ‘She Loves You’, but it is a classic Bradfield solo moment to shine, except with the spectre of Edwards ramping up the tension.
‘Pretension/Repulsion’ finds Bradfield again tussling with Edwards words, trying to fit the whole of the Oxford Concise Dictionary into a two minute punk diatribe and succeeding brilliantly, again it brings to mind ‘Know Your Enemy’ or even earlier tracks like ‘Spectators of Suicide’ and ‘Sculpture Of Man’.
However the Richeyness of the record has drained, disturbed and inspired so far, the human side of the story really hits with the beautiful Nicky Wire sung ‘Williams Last Words’, ‘Goodnight my sweetheart…’, ‘Wish me some luck as you wave goodbye to me’, ‘You’re the best friends I ever had’. It’s the simplest lyric and roughest vocal, but the most affecting in both departments.
Intelligent, tense, beautiful, touching, gruesome, confusing, agonising, everything you loved about the best quartet in the world.

“I love you, yes I love you, just let me go”. Ouch.

Sunday, 11 January 2009

10 Songs To Download This Week



1/ Slave To The Grind - Skid Row
2/ Never Think - Rob Pattinson
3/ Judas - Cage The Elephant
4/ Painkiller - Judas Priest
5/ Your Protector - Fleet Foxes
6/ When She Comes - Towers Of London
7/ I Wont Need You When You're Dead - The Rocks
8/ Leave Me, Let Me Go - Ida Maria
9/ Karma Killer - Robbie Williams
10/ Satan Wants Me - Luke Haines

Thursday, 1 January 2009

End Of Year Kendallrock Awards...



BEST ALBUM: 'The 59 Sound' - The Gaslight Anthem
BEST SINGLE: 'Burnin Up' - Jonas Brothers
BEST TRACK: 'A Little Bit Longer' - Jonas Brothers
BEST BAND: Jonas Brothers
BEST GIG: KISS, Download Festival
BEST MOVIE: Wall-e
BEST DIRECTOR: Andrew Stanton, Wall-e
BEST ACTOR: Heath Ledger, The Dark Knight
BEST ACTRESS: Maggie Gyllenhaal, The Dark Knight
BEST NEW BAND: Go: Audio